![]() Thanks to her recent success, that bar is now set much higher for the 28-year-old Warner Nashville/Atlantic Records artist.Īndress hails from a suburb of Denver, the daughter of Brad Andress, a Major League Baseball coach, and his wife Inger. Click here to sign up for free.Backstage at Armani Privé Couture Fall 2023 This article first appeared in the Billboard Country Update newsletter. She’ll know it’s working if she makes America cry again. “The reason why I got into country music is because of the storytelling, and I just hadn’t heard a song like that in country for a while,” she says. 50 in its second week on Country Airplay. It could be a song of the year contender if it does well: It’s currently No. “More Hearts Than Mine” likely adds to the pressure when that meeting finally happens. “Visiting is very difficult, so that’s part of the reason why.” “They live in a cabin in the middle of the woods in Minnesota, like four hours outside of Minneapolis,” she says. Eleven months after she wrote it, Andress’ boyfriend still hasn’t met the folks. ![]() The song’s real-life drama is still unresolved. “I was just trying to be random about it.” “The snare drum is actually my wife’s clutch bag that I took from the kitchen table and mic’d up and blended in with some splashier, wider samples,” reveals Ellis. The drums took a week or two to master Ellis finally hit on an almost militaristic tone, as if the couple is marching into a dangerous future. The piano never veers into melodic interludes, instead pulsing throughout the performance, gradually building the tension. Devin Malone, Ellis’ touring mate when they both played in Hunter Hayes’ road band, played baritone guitar and steel. I just could not help it.”Įllis produced the rest of the track around the piano and vocal from the writing session. It’ll make it better!’ I’m like, ‘No.’ I kept having to step out and gather myself because I just hate crying in front of other people. “That was the first song I had written that really got super personal, and it was hard for me to disconnect from it,” she says. Andress, it turns out, went through emotions in front of Ellis and Southerland that mirrored “More Hearts Than Mine.” The character in the song needed to sound bravely vulnerable. “You’ve got everybody else’s on the table, and you feel the pressure of that.”Įllis played piano for the demo at the end of the appointment, but Andress struggled with the vocal. “You’re all of a sudden not just gambling with your own heart,” says Southerland. Those changes ever so slightly shift the responsibility from the man breaking hearts to the woman who brought him home and set the stage for all that pain. Dad isn’t pouring whiskey for a round of guy talk he’s pouring a drink to commiserate with his daughter. Suddenly, it’s not about Mom’s quick embrace of boyfriends it’s about how much she feels her children’s heartaches. In the final verse, she flips the outlook just a bit. “Mom and Dad are enough, and then we’ll throw the siblings into the verse.” “I wanted to get my siblings into the chorus, too, but that’s a lot of people, and that would be really confusing,” says Andress. And there’s a party with several of the girl’s high school friends, who confirm some of her stories and add a few more crazy tales she hasn’t yet told him. Makin' Tracks: The Past Is Present In Keith Urban's 'We Were'Ī sister appears in the second verse, doing her best to embarrass the new guy. And the stanza closes with a warning: “If we break up, I’ll be fine/ But you’ll be breaking more hearts than mine.” The chorus anticipates her parents’ reaction: Mom will love him instantly Dad will bond over guy things - drinking and fishing - but pretend he dislikes his potential son-in-law. And honestly, I just put myself in my own brain: ‘OK, what would you say to this guy you’re dating? What would you tell him?’ ” “I didn’t want it to be like this poem of multiple hearts because that’s not how you would discuss it with somebody. “I wanted it to sound as casual as possible because the idea is so heavy,” explains Andress. It is, much like Bobbie Gentry’s “Ode to Billie Joe,” a mix of routine chatter and the occasional bombshell. It opens with a conversation between the couple as they prepare for the trip: She warns that they’ll end up sleeping in separate bedrooms and that he should pack a shirt that’s appropriate for church. “It was a good reminder for the three of us the impact and depth lyrics can have if they are pulled directly from real life.”Įllis and Andress periodically traded a seat at the keyboard as they built the plot. “The vulnerability it took on Ingrid’s behalf to go there that day was crucial, and she did it,” says Ellis. Makin' Tracks: Seaforth's 'Love That' Offers Unresolved Domestic Angst - Ah, Yeah Yeah Yeah
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